以下图文均由Boca do Lobo授权Designwire独家首发

Denis Košutić’s work can be seen as an anti-traditional perception of the role of architecture in the modern world. For this interior designer and architect, architecture is a subject of consumptions, instead of a monument for eternity. According to this, Denis redesigned a baroque Austrian Palace, giving it a modern approach. Boca do Lobo was part of the project, providing this interior designer, luxury furniture and sculptural pieces that served as an independent and strong character in the theatre play.

　　Denis Košutić的作品在现在的社会中可以看做是对传统的建筑角色观的一种否定。对于这位室内设计兼建筑设计师来说，建筑本身就是一个消耗的载体，而不是一座永恒的纪念碑。基于这样的观点，Denis重新设计了一座奥地利的巴洛克宫殿，让它焕发出现代的气息。Boca do Lobo参与其中，为这位室内设计师提供奢华家具和雕塑作品，作为戏剧表演中一个独立并且显著的特征。

This project was partly adopted and partly modified, according to functional details. “The real challenge was to integrate the existing collection of art, antique furniture and oriental carpets and to give them a completely new role in the composition”, said the designer.

　　项目根据功能细节的问题，半旧半新存在。设计师说，“项目的真正挑战是如何把一系列现存的艺术品、古典家具和东方韵味的地毯整合起来，在设计中赋予他们一个全新的作用。”

The baroque history of the space was treated as a fact and a kind of a past imagination but the detailed research of it was not the issue of interest during the design process. There is a kind of baroque spirit in the air that was mixed with strong contemporary influence.

　　空间的巴洛克历史被当做一种设计因素，一种对过去想象。但在设计过程中，空间的细致研究并不是利益的关键所在。在空间中存在一种巴洛克的精神，和强有力的当代影响力相互交融。

The rooms thereby created have been meticulously dealt with separately, according to the principle “everything is allowed “. The various moods and sources of inspiration translated into the design of the individual rooms are always independent of each other and yet familiar.

　　因此，根据“放纵不羁”的设计原则，创作的空间精心地分开处理。不同的心境和不同的灵感来源转化成私人空间的设计，各个空间之间相互独立却让人似曾相识。

An intentional renouncement of clear definitions along with a casual play with the material resulted in an eccentric “mix and match“ of shapes, surfaces, colours and ornaments. An enormous quantity of ornaments on wallpapers, fabrics and carpets in compositions that appear randomly but are precisely attuned, have a warm and familiar, but at the same time surprising and unexpected effect.

　　一种有意为之的空间定义模糊化，伴随着材料的“随意”应用，结果演绎出一种聚形体、表面、色彩和装饰于一体的特立独行的融合。不计其数的墙纸、织物和地毯的装饰，看起来是那么的随机出现，但却是精心安排；有一种沁人心扉而且似曾相识的感觉，与此同时还会产生让人既惊奇而又意想不到的效果。

An abundance of antique, restored and newly designed furniture from all epochs have been brought into a dialogue with contemporary design and art objects, at times in dignified, at times in ironic compositions. The boundaries between “old“ and “new“ thereby totally disappear, creating a new, inherently consistent composition.

　　一系列来自不同时期的古典的、修复过的和全新设计的家具和现代的设计以及艺术品进行对话，有时庄严肃穆，有时讽刺调侃。因此，空间里“新”与“旧”的界限消失不见，打造一种全新的、与生俱来的极致空间。

Most of these one-of-a-kind pieces were specially customized for the project, in terms of form and language, in order to create atmospheric tensions and emphasize the surreal mise-en-scène.

　　大部分这样独一无二的家具和艺术作品为本项目特别定制。就形式和语汇而言，为了创造一种氛围十足的空间张力，强调一种超现实的意境。

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译/编辑：SAM