©Ivar Kvaal

未来的蒙克博物馆不仅是一个保护和展示挪威文化的历史和本质的基本遗产的设施。它也为发展当代博物馆概念提供了一个独特的机会，作为奥斯陆乃至整个国家社区的一个凝聚力元素，高度重要的城市角色和历史责任滋养了这一概念。

The future Munch Museum is not only a facility to safeguard and exhibit a fundamental heritage in the history and nature of Norwegian culture. It also constitutes a unique opportunity to develop a contemporary museum concept, nourished by a highly significant urban role and historical responsibility as a cohesive element of the community, not only of Oslo but also of the entire nation.

©Adrià Goula

它的上升路线连接了休息厅的公共空间，休息厅用于休闲、商业、文化和餐厅，屋顶露台/观景台/俱乐部，与爱德华蒙克作品的发现平行，提供了奥斯陆城市的不同历史层次。这种将垂直通信系统设想为公共空间/上升优势的姿态，是垂直发展博物馆所产生的非正统特征的本质。然而，还有更多:在这条路线上，游客们发现了其他类型的设施，即餐厅和café，行政办公室，研究图书馆和教育部门，这表明了一种程序性的复杂性，超越了博物馆作为一组展览空间的传统观念，以及一系列无形的附属机构的管理。

Its ascending itinerary connects the covered public space of the foyer, which houses recreational, commercial, cultural and restaurant uses, with the rooftop terraces/observatory/club, which parallel to the discovery of Edvard Munch’s work offer the different historical strata of the city of Oslo. This gesture of conceiving the vertical communications system as a public space/ascending vantage point is the essence of the heterodox character generated by developing a museum vertically. There is more, however: on this itinerary the visitors discover other types of facilities, namely restaurant and café, administrative offices, the research library and the education department, which denote a programmatic complexity that goes beyond the conventional idea of the museum as a set of exhibition spaces to be visited and a series of invisible dependencies from which the institution is managed.

该建筑致力于节能和尊重挪威人所要求的自然环境，通过整体概念，结构、通风系统和建筑按照被动式住宅的概念相互协作。最小的碳足迹、可持续性、可回收性和维护构成了将建筑过程转变为一项活动的指示，该活动本身就以实验和创新为中心。外立面采用具有不同透明度的穿孔铝制成，使建筑物产生一种神秘的、瞬息万变的感觉，对奥斯陆气候产生的轻微刺激做出反应，从而根据一天中的时间创建非常不同的图像； 24小时运转的巨大滑模；使用低辐射再生混凝土和钢材；这些和其他进步赋予该建筑在许多不同方面的开创性。

The building is scrupulously committed to energy saving and respect for the natural environment, that the Norwegian people require, by means of a holistic concept in which structure, ventilation systems and construction collaborate with each other in accordance with the Passive House concept. A minimal carbon footprint, sustainability, recyclability and maintenance constitute the directives of a building process transformed into an event which is itself centred on experimentation and innovation. The façades, finished in perforated aluminium with different degrees of transparency that give rise to an enigmatic, evanescent perception of the building, which reacts to the slight stimuli generated by Oslo’s climate, thereby creating very different images depending on the time of day; the huge sliding formworks that operate throughout 24 hours; the use of low-emissivity recycled concrete and steel; these and other advances endow the building with its pioneering nature on a number of different fronts.

©Guttorm Stilen Johansen

©Adrià Goula

新的蒙克博物馆将于 2021 年秋季开放，它将成为一个充满活力的当代文化中心，面向不同年龄和兴趣的公众（专家、学童、游客、艺术爱好者），希望他们定期访问该设施被各种格式的程序所吸引。其激烈的活动将把奥斯陆的重心转移到与峡湾的交汇点，从而通过文化和公民社会的活力，重建这座城市的原始维京港口。

The new Munch Museum, to be opened in the autumn of 2021, will be a dynamic centre for contemporary culture and for a public varying in age and interests (experts, schoolchildren, tourists, art lovers) whom it is hoped will periodically visit the facility attracted by a programme with a wide variety of formats. Its intense activity will shift Oslo’s centre of gravity towards its point of encounter with the fiord, thereby refounding, through culture and the vigour of civil society, the original Viking port that gave rise to the city.

项目信息

项目名称 ：NEW MUNCH MUSEUM

项目地点：奥斯陆，挪威

项目时间：2009-2021

设计单位：estudio Herreros

主创设计师：Juan Herreros ,Jens Richter

面积: 26.300m2